By Josh Woods ~
In the 1980 comedy Caddyshack, the pseudo-Buddhist ball golfer Ty Webb offered wisdom to his young, forward-thinking protege Danny Noonan.
“Danny, I’m going to give you a little advice,” Ty said. “There’s a force in the universe that makes things happen; all you have to do is get in touch with it. Stop thinking … find your center … let things happen … and be … the ball.”
Despite the silliness of this tip, the idea that regulating your thoughts and centering your attention can improve performance is remarkably popular. You can find it in books of pop psychology, in the meditation rooms at Google and Nike, in the hot yoga gyms of middle America, and in several disc golf books, blogs and websites. Continue reading “Living in the Moment and Other Unbelievable Feats of Mental Strength”
A brief look into the psychology and sociology of disc golf.
By Josh Woods ~
The other day my seven-year-old daughter asked me, “Why do people get married?”
I gazed into her curious brown eyes, knowing that my answer would not satisfy her. “Because they want to,” I said.
“Why do they want to?” She chirped, of course.
“Because it makes them happy,” I said.
“Why does it make them happy?”
I tried to explain that people get married for different reasons, that not everyone wants to, and that the reasons for getting married usually depend on where people live, when they live, and what the people around them think about marriage.
“I’m going to be a zombie bride for Halloween,” she said. And that was that. Continue reading “Why Do People Play Disc Golf?”
One of the most interesting books about disc golf is a book about Ultimate Frisbee. David Gessner, in Ultimate Glory, offers a rowdy, confessional tale about his years playing Ultimate in the 1980s. Ultimate players may be the intended audience, but disc golfers and other athletes of emerging sports—in fact, anyone who cares about a thing that many people consider ridiculous—will find this book fascinating. Continue reading “Does the fear of death inspire people to play disc golf? A review of Gessner’s ‘Ultimate Glory’”